The "Thresholds" show at 6 Gallery has been replaced with a show called "Delicious" for November and December 2007. For me personally, the words "delicious" and "insect" do, in fact, go together, because of a long research paper I wrote in college on Entomophagy (the eating of insects, visit link for full text of that paper: http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=19470681&blogID=90540791 ) However, most edible insects are squishy (grubs and the like) and therefore not suitable to be dried and put into a frame. Besides that, who would really buy a piece made with grubs?? I'm happy (and relieved!) to say that I was able to come up with an insect-themed piece that might bring up images that most Americans might consider "delicious"! After much thinking, the answer was obvious: honeybees.
I consider myself extremely lucky that I happened to be in possession of several hundred bees. Bees aren't easy to come by in the dried insect trade, so when I heard that my step-brother's house had a bee problem, I ran to the scene where several hundred bees had met their maker at the hands of an exterminator. I didn't know what I'd do with 500 bees at the time, but they were too good to pass by. I'm glad I had the foresight to box them up!
I'm sure you're aware that honeybees aren't very large, but these particular ones were smaller than most of the wild bees I've seen in my garden. Therefore, in order to make a "master work" including bees, I knew I'd have to use a LOT of them! If one is going to make a display using lots of small objects, I'd say a good way to be effective is to use the small objects to make one big object. (As a child, did you ever read that book "Swimmy", where lots of little fish swim together to look like one big fish? http://www.amazon.com/Swimmy-Leo-Lionni/dp/0394817133 ) In order for everyone to make the connection between bees and the delicious honey, I decided to form the bees into a honeycomb pattern.
Easier said than done, I discovered. It took a little more math and geometry than I expected in order to form my honeycomb pattern from scratch and calculate how many bees I would need. I knew I'd need to spread about 200 bees for the piece. That sounded like a lot of work, but bees are small and don't require much skill, right? Wrong! The bees took MUCH longer than I expected, in part due to their small size, and also because their wings did not cooperate with being moved like a cicada or butterfly. Even after being softened up, the bee wings were fairly rigid.
About 20 hours later, 200 bees were ready for use. I spread the bees in three different positions: wings at rest, wings up, and wings out. The idea was that the bees that form the main body of the honeycomb shape would be "at rest", as if crawling around in the hive, and as you get further out to the edge of the honeycomb, the bees would begin to open their wings and fly off.
Here's how my idea turned out! The piece is for sale exclusively at 6 Gallery until around Christmas. After that, if it has not sold, I'll have it for sale in my etsy shop. I hope you like it!
The second piece for this show is made with Morpho butterflies (yes, I got off my high horse and used a few!). Because I feel that Blue Morphos are the epitome of your run-of-the-mill butterfly display, I have stayed away from them until now. Since it is my goal to make unique pieces, I knew I could only use the Blue Morphos when I had a special, unique idea for them. I think they work nicely in this piece. They are placed on hand-painted paper, and various butterfly chrysalides are "hidden" throughout. The title of this piece is "Humble Beginnings Remembered", remininding us that even the spectacular Blue Morpho comes from something that looks rather like a worm. It is framed in a black wood shadowbox and measures about 8x20 inches.
Thanks for checking out my pieces, and if you're interested in either of them or would like to see more pictures, please shoot me an e-mail!
If you have ever been captivated by a butterfly alighting on a thistle or a ladybug meandering along a garden wall, chances are you will adore insect jewelry. The playful pieces allow you to delight in nature's beauty...without anything buzzing or crawling. Yet these bugs are imbued with vibrancy and personality, as if they were really alive. These are several of the traits that prompted Nancy Heckler, a Martha Stewart Living contributing editor, to start amassing insect brooches thirty years ago. "I'm drawn to the whimsical quality of these pins," says Heckler, who displays the creatures on framed velvet panels in her bedroom and wears them often. Her menagerie includes nearly two hundred pieces, many of which appear here, and spans almost a century of styles.Insect jewelry flitted into fashion in ancient Egypt. Flies, mosquitoes, and scarabs were popular emblems for signet rings and necklaces set with stones such as lapis lazuli and quartz.Interest in bug motifs waned in subsequent centuries as religious designs proliferated. The genre made a comeback in the 1800s after Napoleon I of France adopted the bee as his insignia; the insect soon adorned everything from neoclassical earrings to chokers.During the Victorian era, a romantic fascination with nature led to a swarm of butterfly brooches, beetle hat pins, and fly pendants made from gold filigree, enamel, and semiprecious gems. Around the turn of the twentieth century, Louis Comfort Tiffany and Rene Lalique created bejeweled bug necklaces, combs, and pins in elaborately curved, intertwined designs.The discovery of King Tut's tomb, in 1922, ignited an Egyptian revival that inspired Art Deco-style jewels, including scarab brooches by Cartier. In the next decade, the trend turned toward more fanciful pieces made of colorful Bakelite and Lucite. The 1950s saw a boom in mass-produced costume jewelry: lapel pins, corsage ornaments, charms, and the like.These days, bug accessories are as plentiful as the critters themselves. HeckÂler finds hers at antiques dealers, vintage-jewelry stores, flea markets, and online auctions. Prices vary widely depending on materials, condition, and rarity. Grasshoppers and moths, which are relatively scarce, are more valuable than ubiquitous butterflies and spiders; jewelry by famed designers (Coco Chanel, Elsa Schiaparelli) can cost thousands of dollars. Items in HeckÂler's cache range from a $3 pipe cleaner cricket to a $500 Victorian ivory bar pin inlaid with bugs.To begin your collection, you could focus on a single species of insect. Or you could follow Heckler's approach: Buy whatever catches your eye and brings you joy. Getting bitten by a bug has never been such a pleasure.
I thought perhaps you might be curious about how I make Insect Art. Now, don't get your hopes up...I'm not going to give you step-by-step instructions (hey, I have to protect my trade secrets!), but I thought some insight into my process might be interesting. The number one question I get asked at art shows is "Do you collect your own insects?". When I tell people no, they seem disappointed. I wish I could say to them "hey, Rachael over in the next booth doesn't mine her own silver!" (http://www.sudlow.etsy.com/ for her awesome jewelry!). I don't really have the heart to kill even a bug, plus we don't have very many awesome bugs that live around here, so for those two reasons, I buy most of my insects from a dried insect dealer. I get them directly from Asia, since that's where lots of cool bugs live (and are farmed for this purpose). They come to me all dried out and folded up. See the picture for examples of some butterflies and beetles:
Now, the trick is getting the bugs unfolded and re-positioned. Being dried out, the bugs are extremely fragile. Before I can begin to unfold them, they must be re-hydrated in a process that takes 24-48 hours. Once they are pliable again, the hard part starts. When I was first beginning to make Insect Art for myself, I ruined plenty of butterflies. You can hardly touch them at all if you want to keep their color intact; butterfly scales rub off very easily. Of course, some species will give you more trouble than others. Unfortunately, all the famous ones in the group Papilio are especially bad. I used many creative methods and a lot of trial and error before I was confident enough to handle some of the more expensive species. Trust me, plenty of "surgeries" are done on my dining room table...antennae and legs break off all the time! Beetles are a little more forgiving; they don't really have any scales to rub off. However, it does take a bit of skill to locate and unfold all of their various legs and feeding parts. Beetles are insects, so they do have wings. Most traditional dried insect displays don't capitalize on this fact, so I like to bring them out. That part is a bit tricky, but it was definitely worth learning how to do. After I have the insects all positioned, I let them dry back out and then they are ready for use. I collect them off of my spreading boards and place them in very sophisticated storage containers (as you can see!)
Hello and Welcome to my new art webpage! My name is Katie and I have a small business called "Insect Art" in Lawrence, KS. I make framed art out of real, dried insects. I use everything from butterflies to beetles to dragonflies, and the aim of this page is to share my art with you. I began as a simple etsy.com site (www.aquakej.etsy.com), and after eight months there, I felt the need to upgrade. Etsy.com continues to be my store site; it's the place where nice people like you can buy my art. This new, main webpage's goal is to expand on that and to share other art-related updates and photos that can't be incorporated into my store.
So, without further adieu, please sit back, relax, and learn how I came to be an insect artist!
I’ve been fascinated with bugs ever since I can remember. My mom read lots of science books to me, and I was out collecting cocoons and caterpillars as soon as I was able. I had several “bug boxes” full of captives, and I spent many hours reading bug field-guides. I used many of the insects I found outside to make my own “closet museum”, which included everything from bird eggs to fossils.
When I grew up, I took a class at KU called “The Biology of Spiders”. That class rejuvenated my scientific inclinations. It taught me how to professionally collect and display spiders, and I became very interested in making my own “grown-up version” of the closet museum I had as a kid.
It's easy to buy a butterfly mounted on white paper, but I wanted something more, something unique that would be suitable to display outside of a stuffy museum. In other words, I wanted an insect display that was also a piece of art. Thus, the concept of Insect Art was born. I found someone who would sell me dead bugs, and went to work making a few pieces for myself. After I had handled a few butterflies, I decided to move onto insects that you wouldn't find in your usual nature shop. After all, who doesn't have a Blue Morpho these days? It’s much more fun to impress your friends with jewel beetles and cicadas that are as beautiful as any butterfly. It’s my goal now to make pieces of art that are unlike anything I’ve ever seen.
On a personal note, I feel like, in my own small way, I am carrying on the message of my hero, Steve Irwin (The Crocodile Hunter). His mission was to help the world understand and love creatures that aren't cute or fuzzy. Bugs don't usually fall into either of those categories, but they are beautiful nonetheless, and worth saving. Besides teaching the public to appreciate Nature, the dried insect trade is eco-friendly. Insects are part of a sustainable crop in third-world countries, where people farm or catch them. This trade is much preferable to mining or logging, and gives the people a motivation to preserve natural habitat.
I am fascinated by insects and their diversity. There really is something for everyone! I always get a kick out of seeing people's reactions when they find out the bugs I use are real. Some people don't like "bugs", but they say my pieces are beautiful, regardless. That makes my work worthwhile in the end.